Főelőadók

JØRGEN BRUHN, Professor of Comparative Literature at the Linnæus University, Sweden. He is currently leading the Linnæus University Center for Intermedial and Multimodal Studies in Växjö. His main research areas are literary theory, intermediality/media studies, and environmental humanities. His most important publications include the monograph, The Intermediality of Narrative Literature. Medialities Matter (Palgrave Macmillan, 2016), Cinema Between Media. An Intermedial Approach (co-authored with Anne Gjelsvik, Edinburgh UP, 2018), Intermedial Ecocriticism. The Climate Crisis through Art and Media (co-authored with Niklas Salmose, Lexington Books, forthcoming in 2023), Intermedial Studies. An Introduction to Meaning across Media (co-edited with Beate Schirrmacher, Routledge, 2022), Multispecies Storytelling in Intermedial Practices (co-edited with Ida Bencke, Punctum Books, 2022), Palgrave Handbook of Intermedial Studies (co-editor and author, forthcoming in 2023). He is the editor of Palgrave Studies of Intermediality book series.

JULIAN HANICH, Associate Professor of Film Studies at the University of Groningen, Netherlands. His research focuses on film aesthetics, cinematic emotions, film and imagination, film phenomenology, and the collective cinema experience. He is the author of the monographs: The Audience Effect: On the Collective Cinema Experience (Edinburgh University Press, 2017), Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear (Routledge, 2012) and Friedrich Wilhelm Murnau: City Girl (Edition Text+Kritik, 2022). He co-edited The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions (with Daniel Fairfax, Amsterdam University Press, 2019), a special issue of Studia Phaenomenologica on ‘Film and Phenomenology’ (with Christian Ferencz-Flatz, 2016), What Film Is Good For: On the Values of Spectatorship (with Martin Rossouw, University of California Press, forthcoming).

LAURA RASCAROLI, Professor in Film and Screen Media at University College Cork, Ireland. Her research interests span European and world cinemas, experimental nonfiction and the essay film, artist film and the post-medium moving image, space in film, and the politics of form. She is the author of the monographs: How the Essay Film Thinks (Oxford University Press, 2017), The Personal Camera: Subjective Cinema and the Essay Film (Wallflower, 2009); co-author of: Crossing New Europe: Postmodern Travel and the European Road Movie (Wallflower, 2006), The Cinema of Nanni Moretti: Dreams and Diaries (Wallflower, 2004), From Moscow to Madrid: Postmodern Cities European Cinema (I. B. Tauris, 2003) written in collaboration with Ewa Mazierska. She edited collections of essays including: Theorizing Film through Contemporary Art: Expanding Cinema (with Jill Murphy, Amsterdam UP, 2020), Amateur Filmmaking: The Home Movie, the Archive, the Web (with Gwenda Young and Barry Monahan, Bloomsbury Academic, 2014), and Antonioni: Centenary Essays (with John David Rhodes, British Film Institute, 2011). She is the Editor-in-Chief of Alphaville: Journal of Film and Screen Media.